WORKSHOP / BOMBAY’S SPACES OF SOCIABILITY: EXILE, MIGRATION AND CONTACT ZONES
In her analysis of the development of Bombay’s modern art scene in the 1930s and 1940s, Karin Zitzewitz draws on gallerist Kekoo Gandhy’s narrative of the significant role played by spaces of sociability, noting that: “Gandhy’s account privileges the salon and the cafe as the key spaces for the casual debates that drove the production of the artistic community."¹ The artistic community that Gandhy was referring to included the Progressive artists, many of whom had migrated to Bombay from other parts of India, as well as the local, often western-educated intelligentsia to which he belonged, and exiled European artists escaping Nazi occupation and war.
In this interdisciplinary workshop we intend to investigate links between migration and cultural production in the famously cosmopolitan port city by foregrounding the importance of spaces of sociability as contact zones: spaces that facilitate the exchange of ideas, foster debate and the formation of discourse, and encourage the construction of personal and professional networks across many borders. In addition to cafes and salons, clubs and hotels seem to have also provided opportunities for performance, debate, exhibition and exchange. Focusing on, but not limited to, examples from the first half of the twentieth century, we invite papers that explore the intersections of migration, cultural production and urban topography in Bombay.
During the workshop we seek to address questions such as: How did cafes, salons and other architectural typologies and urban places encourage intercultural exchange? How did they create spaces of inclusion as well as of hierarchy and exclusion? Were gender, race or sexuality factors? Where were these spaces located within Bombay’s urban fabric and why? Were there differences in the spaces depending on the neighbourhood? Who commissioned, designed, built and operated them? How did minority communities contribute to this? Did temporary or ephemeral spaces, such as festivals, play a role? At what scales did these spaces operate and what type of resonance did they have - within a neighbourhood, throughout the city, regionally, or even internationally? How did their built form or architectural language contribute to their function?
¹ Zitzewitz, Karin. The Art of Secularism: The Cultural Politics of Modernist Art in Contemporary India. London: Hurst, 2014. p. 81
FRIDAY, 13 DECEMBER 2019
09:00 am Registration & Tea
09:20 am WELCOME & INTRODUCTION: Mustansir Dalvi & Rachel Lee
(Sir JJ College of Architecture, Mumbai and LMU Munich)
09:45 am KEYNOTE: Kaiwan Mehta (Editor, Domus)
Where is the City?
10:45 am REFRESHMENTS
11:00 am Swati Vijaya (Ohio State University)
Rethinking Mumbai’s Queer Heterotopia: Situating Suburban Spatialities and Subaltern Socialities
11:40 am Pranoo Deshraju (TISS, Tuljapur)
Traces of the Insomniac’s City: Studio 29 and the Beginnings of Disco in Bombay
12:20 pm Rachel Lee (LMU Munich)
The Taj and Green's as Spaces of Sociability
01:00 pm LUNCH
02:00 pm Daksh Jain (KRVIA, Mumbai)
Queerness / Public spaces in Bombay
02:40 pm M. Raisur Rahman (Wake Forest University, Winston-Salem)
Social as Spatial: Anjuman-e-Islam and Muslim Sociability in Colonial Bombay
03:20 pm Margit Franz (University of Graz)
More than "Languages – Key to International Understanding": Charles Petras’ Institute of Foreign Languages as a Cosmopolitan Meeting and Art Discussion Space in Bombay
04:00 pm REFRESHMENTS
04:30 pm Mustansir Dalvi (Sir JJ College of Architecture, Mumbai)
Poetry on Urban Social Spaces in Bombay
05:10 pm PANEL DISCUSSION: Citizenship and Space
with Sameera Khan (Independent Journalist, Mumbai), Kaiwan Mehta (Domus, India), Simin Patel (Bombaywalla), Shilpa Phadke (TISS, Mumbai), Sarover Zaidi (Jindal School of Art and Architecture, Delhi)
05:50 pm VALEDICTORY: Mustansir Dalvi & Rachel Lee (Sir JJ College of Architecture, Mumbai and LMU Munich)
06:00 pm CLOSE
07:00 pm DINNER: Chetana (Participants only)
WALKING TOUR ON
SATURDAY, 14 DECEMBER 2019
09:00 am Simin Patel (Bombaywalla)
Gentlemen Prefer Hotels: The Early Hotel Trade in Bombay, 1850-1903
Meeting Point: Rhythm House, Kala Ghoda
(Places are limited to 15, so register fast!)
This workshop is part of the ERC Consolidator Grant research project "Relocating Modernism: Global Metropolises, Modern Art and Exile (METROMOD)" located at the LMU Munich.
The METROMOD team is: Ekaterina Aygun, Burcu Dogramaci, Mareike Hetschold, Laura Karp Lugo, Christina Lagao, Rachel Lee and Helene Roth.